*Note: When I
refer to Raj Kumar Hirani (RKH), I equally refer to his partner in crime
Abhijat Joshi.
Rather than the obvious disappointment or anger I have
towards a bad movie, I was rather disgusted by PK. It is that movie whose every
beat serves a purpose, a purpose of proving a point so obvious, a point so
dumbed down, a point already proved last year at the cinemas. It doesn’t have a
single moment, which is just out there without any ulterior motive.
Few years back, Roger Ebert introduced me to a word
‘frisson’. It is a french word, whose literal English translation is ‘thrill’,
but more aptly it means the small brief ‘kick’ that we seek in daily life,
like, someone liking your FB post, enjoying a joke on whatsapp, getting to know
some gossip about your colleague at office, and so on. These frissons don’t
result to much in retrospect, it is just that fleeting kick we get and keep on
seeking on a daily basis. If we were to translate this in movie terms, it would
be the beats in the movie, those small comic punches, those small story twists
etc. Our most esteemed director, who is loved equally by a rickshawalla and
Anurag Kashyap, is a director of frissons. Each moment in his films, delivers a
frisson. These are either quick fire jokes, quick trigger sentimentality or
contrived story twists. Each dialogue, each moment serves this purpose, give
the audience a frisson. Mind you, it is
not an easy job; he has a reasonable mastery over the craft of filmmaking. But
he uses this craft to create highly manipulative stories and manufactures
emotions for fast food consumption, and he does acknowledge this when he shows
us the inserts of side-characters crying and being overwhelmed by the emotions
of the scenes through radio (in Lage Raho Munnabhai) or TV (in PK). It is
exactly what you see, manufactured sentimentality for consumption of social media.
‘3 idiots’ was equally manipulative, but still had some
genuine moments between friends, lovers. But here you get a love story, which
has couple of genuine beats, one of them when Anushka withdraws from a
conversation with Sushant, when he is revealed to be a Pakistani. A very
important point to note here is that she withdraws not when he tells that his
name is Sarfaraz, but soon after when he tells he works for Pakistani embassy.
That moment really stuck with me, because it was not about the religion, just a
kind of jolt we receive when we realize we just interacted with someone from
our neighboring country. But this very love story of a indian girl with a
pakistani dude is milked for religious purposes, and used as the defining
moment in the movie’s climax. This disgusted me out completely. And this might
be lesser offender when compared to a train bomb blast, which kills a bogey
full of people, just to add some weight, some sort of emotional buildup to the
film’s climax. It serves no other purpose at all except proving the agnostic
world-view. It plays the evergreen ‘Aasman pe hai khuda..’ from Raj Kappor’s
Phir Subah Hogi on the images of the aftermath of the blast. It extracts the
agnostic vibe from the song and uses it as an earnest cry out to god. But in
the context of the film it is far from earnest. From an alien’s desperation of
seeking god, it abruptly cuts to a horrific human tragedy and projects the
tragedy via the alien, a quickfire way to add weight to the waferthin premise.
The entire film is made up of moments, which provide quickfire frissons.
Enough of disgust. The difference between PK and earlier RKH
film is that this is a really bad script. If you take out the central idea, “An
alien comes to earth and we see the stupidity, duality and hypocrisy of humans
through the alien’s eyes”, there is no scene with any real situational humor or
strong drama. Every line of the script stems from the central idea of the film.
It sounds like great film-making integrity on display, but when your central
idea (which at the most deserves a 1 hour film) is as thin as this, there is a
strong need of situations resulting in comedy or drama. There is none to be
found here. And it is never really good news when a key plot device can be
replaced without affecting the theme of the film. Cannot we achieve “uncover
human hypocrisy from a outsiders pov” via an autistic character (My Name Is Khan
tried it to a similar “criticize religion based politics” effect), or an
overgrown child (like Koi Mil Gaya). Paa had similar problems when it tried to
use Progeria as a fatal disease, where any fatal diseases like cancer, or the
Anand one could have resulted into the same movie. Just that AB wouldn’t have
been part of the film. It was a marketing ploy, nothing else.
Anyways coming back to PK. One more RKH observation. The
antagonist in his movies is slowly becoming more an dmore caricatured and
one-dimensional. Dr. Asthana was cartoonish, but he still had well-rounded
character moments with Sanju, his daughter and colleagues. There were few
scenes where I empathized with him. Lage Raho Munnabhai’s Lucky Singh was
shrewd and cunning Sardar. He was not as well rounded as Asthana, but still was
a character in its own. The real caricature started with Virus. He was a unique
caricature, but a complete one dimensional cartoonish character, with no real
personality. And now we have a completely generic caricature of a character in
Saurabh Shukla’s Hindu preaching baba. It is a character well suited in Singham
Returns (Come to think of it, Amol Gupte added more spunk than Saurabh Shukla
was allowed to). It is RKH’s complete lack of conviction in this character that
resulted in this.
I really don’t care to delve any deeper into the endless
machinations RKH applies to illicit a laugh and a tear. It is an exhaustive
exercise to uncover his manipulations, which are slowly rising up to the
surface. With more people noticing them in PK, a part of me is happy to be not
alone (like I was during 3
idiots). I was conned twice (MMBBS, LRM), but Sanju still manages to put
some soul to the contrivances, Aamir exposes them further. I think I’m done with Aamir-RKH combo. I feel
next would be Ranbir-RKH, which I would still give a try hoping Ranbir can work
some miracle like Sanju.
